2026 — Baltic Analog Lab, Riga, Latvia

One month collecting field recordings and experimenting with BAL’s collection of modular synthesizers, culminating in a live ambisonic performance for the public.

2025 — Spæs Lab for Spatial Aesthetics in Sound, Berlin, Germany    

Residency focused on ambisonics in a studio equipped with a 24-speaker half dome (and the 20-sided IKO beamforming speaker) at the Funkhaus broadcasting complex. A month studying the seminal works of early spatial artists, exploring software (Reaper, Sound Particles, IEM’s suite of ambisonic plugins) and establishing concepts for a new spatial composition.

2022 — Ionian Center for the Arts and Culture, Kefalonia, Greece

Joint residency with visual artist John Burton McGarity. Composed and produced sound for his exhibition, and concluded with a live theatrical piece reflecting the themes of his work.

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2022 — Lobe Studio, Vancouver BC, Canada    

Two months in Lobe’s studio custom-built for the 4DSOUND system. Composed and performed a 20-minute piece using electronics, voice, found sounds, and field recordings – to be released in binaural format (spring 2026).

2021 — The Mill at Vicksburg (Prairie Ronde Artist Residency), Vicksburg, Michigan, US    

Residency in a decommissioned paper mill in Michigan. Designed and installed an 11-speaker array, and composed a site-specific piece made with recordings captured in The Mill and its surroundings, performed with live vocals. Released in Dolby Atmos (2022).